Mala Kline’s movement practice proposes to train the ability of the so-called “composition in real time” – to “be” and create in the present, the now, and to consciously and purposefully work with presence through imagery in relation to space. The practice consists of several elements. The first one is becoming aware of the tensions in our body and releasing them to make it more open to working with imagery. The second is work on the embodiment of images to develop specific types of stage presence and imagined bodies. Finally, it also includes the development of movement vocabulary that is specific to the particular types of imagined bodies. During the classes, Mala Kline will propose a deepening of the relationship between the body and space and of the difference between the real space-architecture and the imagined place which takes up fictitious room in real space. The exercises train us in shifting our attention between the real world and the space inside our bodies, as well as between ourselves and others within a space. The practice of improvisation and composition in real time takes place to a specific score based on our dreams.