The current focus of my ecosomatic choreographic practice is observing the polyrhythmic relationship between the porous body and the natural surroundings. My explorations in the dance studio are based on, among other things, experiencing what kind of kinaesthetic qualities and emotional processes are stimulated by a sonic imagination tuned to the environment. I dance, speak/write, accompany my mindfulness, fool around, improvise. I weave poetry about the weather into the body-archive and produce micro soundscapes through improvisation on objectophones. I test new rhythms, clusters of words and compositions, multiplying several-minute-long sound scores. I enjoy the potential of various words to turn into onomatopoeias (e.g., the word ‘wind’ properly placed on the tip of the tongue and behind the teeth can take on a self-referential and sonorous character).The concept that I will develop under the ASF Creative Scholarship is an extension of my interest in the audio-description of dance and the sound art/research project Choreophonie (2020). More details coming soon.