Soulsqueezing” is an ontologic stuttering machine, where one is at stake in the middle of singing a soulsong and everything what keeps existing outside of it. “Soulsqueezing” explores voice, sound, movement and ontology as each others equals. Physical poetry and singing-speech of facts and questions squeezes out the internality of the performer and of being in the theatre, this opens up the relationships an artist should establish in an artist career, thus becoming a social political engine with an audience. “To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I” (G.Deleuze 1980)