...and the best – the middle one, invented by Maciej Prusak, a mime and choreographer, who earlier prepared, among others, the movement in “A Twisted Orange” by Jan Klata. IN PRUSAK’S “NO*2” two guys: a big one (Gębura) and a small one (Prusak) who in a humorous way depend on each other. Their physicalities complement and repel each other. A wonderfully simple idea… / Magdalena Podsiadły, Gazeta Wyborcza

…This time there was no reading of dramatic works – words were almost entirely replaced by movement, gesture and dance. And this, in my opinion, may be an obstacle in reaching a wider audience with this formula. This is because most of us try to look for a clearly communicated meaning and content. It is very difficult in spectacles, where the form is the most important thing. Of course, a lot depends on the producers. During “No. 2” by Jacek Gębura and Maciek Prusak I honestly laughed, in the presented scenes I even saw a parody of a football match including a foul. The vivid mimicry of both actors helped. Another plus was the constant change of themes, music, sometimes you didn’t know if you were dealing with little boys from the backyard or teenagers… / “The actor’s strength” Anna Jurczyk, Tygodnik Wałbrzyski