There Might Be Others, is a practice that evolves from the tradition of open scores wherein the dancers compose the work in performance within a dynamic set of rules, contingencies, and games. Loosely based on the score and performer instructions for composer Terry Riley’s seminal aleatoric score, In C. During the work, dancers choose to repeat each modules as many times as they wish while staying within several modules of each other. The movement unfolds as the individuals respond to changing situations and chance encounters. The practice empowers the individual dancer while reinforcing the collective aesthetic of the group, as lead by Lazier. The aleatoric elements of the score create a balance between strictly defined vocabulary and an aesthetic of spontaneous creation.