How can we avoid the abstraction of dance by going into specific states where every part of the body becomes aware and dedicated to the situation? Including the different aspects of performance: game, movement, and voice, the workshop will take as its basis the assumption that even though we analyze things under multiple lights, we mostly operate in life through impulse and rarely through logic. We make decisions based on intuition and our system of thought tends to be both emotionally and corporeally based. Our concern will thus be to work in such a way that we strive not to fall back on a technique and that we minimize abstract language of movement. We will rather emphasize the human aspect of dance, that is to say a spontaneous expression of inner events.