“Márta Ladjánszki is experimenting again drawing up something exiting and unique in the Hungarian contemporary dance scene. The theme, the questions and the answers brought up from deep within her and her partners demands a lot of attention.”
excerpt by Ágota Seszták

The performer’s minimal and repetitive moves are precise and meaningful, (…) She’s totally present with her body. Her honesty is brave and compelling, ’cause being yourself on stage is the hardest thing ever. Imagine: no role and costumes to hide behind and what shakes on your body, cruelly shakes now. A moving performance it was by all means. (Emese Kovács)

his mono drama performed with the language of dance elegantly marks only a subtitle or genre: ‘portrait’. Márta Ladjánszki’s piece shows the performer in a really simple way, yet staying dramatically behind informality. If we concentrate on the performer, Márta Ladjánszki made a stylistically and intellectually unified choreography. Her simplicity and intimacy, how she stays in the background as a creator is much braver, than fighting with Josha on the frontline.(Glória Halász)

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