This performance research practice focusses on the physical base of the imagination. It raises the questions: what do we “see“ when we look at a dance? what do we ‘see’ from within the dance? By altering the way we use our senses while moving and watching movement, we can begin to identify the genetic, cultural and idiosyncratic patterns our senses use to construct our experience. These patterns inform what we see when we are attending to anything, influence how we sense and make sense out of movement in interaction with our inner and outer environment. Focusing on vision, touch, and hearing, the scores provoke spontaneous compositions that expose our body’s opinions and initiate a dialogue-in-action about space, time, movement, and the desire to compose experience. The explorations cross disciplinary lines and provide tools and a framework for communication and collaboration amongst us, giving insight into performance and dance-making processes.