The class I would like to propose should be as indefinite as the whole oeuvre of the Dada von Bzdülöw Theatre: when I dance I think of theatre / when I create theatre I think with a dancing body. The subject is, probably, too wide, but this is the only way for dance and theatre to interest me as a domain of art; only in this duality can I find inspiration and the will to ultimately encounter the viewer. My 25 years of experience stemming from this two-vector tension seem to be an unending wealth that should be shared with others. On the other hand, the 25 years of experience also tell me that if anything was defined yesterday, today it should be verified. We will, therefore, define and verify…
I invite you to a master class that will penetrate the naturalness and precision of the dance phrase. We will avail of the systems developed over the years in the Dada Theatre: the correlation of breath and movement, preparation and action, the multidirectionality of impulses and the joy of the energetic flow.
Leszek Bzdyl