Kasia Wolińska
Dance, Pilgrim, Dance [I See America Dancing]
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
30.09.2017
Studio Słodownia +3
13.04.2018 – 15.04.2018
DOCK 11, Germany, Berlin
18.05.2019
Scena Tańca Studio
Teatr Studio, Poland, Warsaw
25.07.2019 – 27.07.2019
Sweden, Norberg

Lenin himself applauded Duncan when she performed in Moscow’s Bolshoi Theatre to celebrate the fourth anniversary of the October Revolution. After she returned to the USA, the Soviets sent her a telegram: ‘‘The Russian government can alone understand you. Come to us; we will make you a school.”

Isadora Duncan revolutionized the form of dance at the beginning of the 20th century and then went to Moscow to use her dancing body to campaign for the revolutionary ideas. “The Revolutionary” was the choreography made around 1923 that must have ruined Duncan’s reputation back at home.

The piece investigates the underexplored histories of modern dance and choreography particularly as they relate to reclaiming spectrum of the socialist and the communist legacy.

concept and choreography Kasia Wolińska

visuals Ashiq Khondker

artistic mentor Guy Cools

music:

remix by Kasia Wolińska of:

Kanye West Mercy ( RL Grime & Salva Remix)

Aisha Devi Throat Dub

Tori Amos Me and a Gun ( Aisha Devi Remix)

Sun Sound (NASA recording)

promo graphic Ashiq Khondker

portrait photo Przemek Kamiński

production Art Stations Foundation by Grażyna Kulczyk in the frame of Solo Project Plus 2017

thanks to my family, Kat Rickard, Dorian Batycka, The Breakfast Club, Agata Siniarska

 

Artists
Residency
17.07.2017 – 23.07.2017
Studio Słodownia +3