The utopian vision of American society in the 1950s, and in particular the icon of the woman and the roles assigned to her, are the central axis of Doll House’s performance. Starting from a critical feminist analysis, oscillating between the fiction of theater and the theatricality of reality, the performer is confronted with the imperative of perfectionism, which in pop culture is itself an icon on a global scale.
Karol Tymiński
Doll House
Doll House
