Janusz Orlik
Mute
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Maciej Zakrzewski
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
  • Piotr Bedliński
22.01.2018
Stary Browar Nowy Taniec
Studio Słodownia +3
29.01.2018
Stary Browar Nowy Taniec
Studio Słodownia +3
02.02.2018
Stary Browar Nowy Taniec
Studio Słodownia +3
21.06.2018
Studio Słodownia +3
12.04.2019
Stary Browar Nowy Taniec
Studio Słodownia +3
03.05.2019
TROIS C-L, Luxembourg, Luxembourg
19.05.2019
03.06.2019
06.06.2019
RCKP, Poland, Krosno
13.10.2019
Teatr Studio, Poland, Warsaw
22.11.2019
06.09.2020
Poland, Białystok
25.10.2020
Narodowe Forum Muzyki, Poland, Wrocław

 

a state of constant fear, uncertainty, threat, need and exclusion … surrounded by events we are trying to make sense of and people we are no longer able to communicate with … exhausted by being physically, emotionally and mentally provoked … a world in which actions speak louder than words and words are no longer heard … where we are not willing to see and are afraid to look

Five years after the premiere of “Insight” (2013), awarded with the best choreography at the Polish Dance Platform 2014, Janusz Orlik returns with another solo work soundtracked by a multi-talented Romanian composer and multi-instrumentalist Alex Catona, and asking: What is our part in the destruction of our relationships with each other?

 

“Intense stage presence” – theatre definition of actor’s fundamental “not yet expressive” level which characterizes the outstanding representatives of this profession and this vocation. And Orlik has it! (…) This theorizing, analyzing and “overthinking” about Orlik’s performance at the Poznań’s Słodownia is not so important to the power of his stage presence.

Juliusz Tyszka, teatralny.pl

I admit, I can’t figure out this phenomenon of how to combine delicate quality and strength so effectively.

Stanisław Godlewski, Gazeta Wyborcza

“Mute” is not “long-winded”. Its creator and performer screams of silence, his body is shouting. Mute seems to be saying: I am lonely, I am looking for some sense, I do not understand, I want to be understood, my words are in me…

Stefan Drajewski, Głos Wielkopolski

+

Michał Łuczak

directed, choreographed, performed and designed by Janusz Orlik

music by Alex Catona

light design Janusz Orlik, Łukasz Kędzierski

technical realisation Łukasz Kędzierski

production Janusz Orlik

co-production Art Stations Foundation by Grażyna Kulczyk, Michał Łuczak

funded by a scholarship grant from the Minister of Culture and National Heritage

Artists
Residency
2018 – 04.02.2018
Studio Słodownia +3