Janusz Orlik
Insight
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Jakub Wittchen
  • Maciej Zakrzewski
  • Maciej Zakrzewski
03.03.2013
Studio Słodownia +3
14.04.2013
Studio Słodownia +3
24.03.2014
Festiwal KRoki
Małopolski Ogród Sztuki, Poland, Kraków
18.04.2014
Ramallah Contemporary Dance Festival
Al-Kasaba Theatre, Palestine, Ramallah
24.04.2014
Brazil, Salvador de Bahia
25.06.2014
Studio Słodownia +3
24.10.2014
Tmuna Festival
Israel, Tel Aviv
05.09.2015
Teatr Studio, Poland, Warsaw
11.09.2015
Nitka Festival
fabrik Potsdam, Germany, Potsdam
28.09.2015
Stary Browar Nowy Taniec
Studio Słodownia +3
21.03.2016
Kijowski Akademicki Teatr Młody
02.06.2016
Georgia, Tbilisi
16.10.2016
Skorohod, Russia, Saint Petersburg

Insight seeks to find a physical and visual representation for emotional states of alienation from the surrounding reality. By placing the protagonist in a simultaneously realistic and metaphorical space of a stage which is dense with micro gestures, shadows and voices, the show confronts the inner and outer world providing us with an insight into some ambiguous emotional states that are, nonetheless, familiar to us all. Translated into a powerful language of movement and image they draw us into a tense journey in the labyrinth of the human body that clashes, day after day, with the cacophony of the stimuli which surround it.

Special Award of The Minister of Culture and National Heritage of the Republic of Poland for the best choreography granted as part of Polish Dance Platform 2014

 

 

“The power of the piece lays in a focus on body movements derived directly from the smallest internal impulses (…) through almost an hour we penetrate complicated human inside observing varied emotions taking the control over dancers body evoking intense images-metaphors inviting to be read in multiple ways according to viewers sensitivity. For some INSIGHT might represent one day from a life of a man, for others it may be seen as a synthetic image of a human existence.”

Marta Seredyńska, Didaskalia

“Following Orlik’s specific movement , viewer falls almost into a hypnotic trans – dancer’s body clearly cut out from white stage background and draws in space surreal images open for individual interpretations”

Teresa Fazan, www.taniecpolska.pl

“Acceleration and delay, tension and softness, extension and containment, stability and fluctuation, among other polarities, are used by the dancer in a very precise, nearly mathematical manner. The sensation is that every action performed by every single part of Orlik’s body is determined, from the breath to the blink of an eye, to the articulation of every joint.
(…) Through the performer’s technical refinement, the viewer focuses on a sort of body geometry that, with its very expressive and creative angles, vectors, shapes and sinuosities, strikes us with the beauty of the images it creates.”

Arlon Souza, www.festivalvivadanca.com.br

 

Special Award of The Minister of Culture and National Heritage of the Republic of Poland for the best choreography granted as part of Polish Dance Platform 2014

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MichalLuczak, almogon-photocase.com

concept and movement research Janusz Orlik/Joanna Leśnierowska

performance Janusz Orlik

dramaturgy and light design Joanna Leśnierowska

sound remix Janusz Orlik

set design Marta Wyszyńska

technical realization Łukasz Kędzierski

visuals Michał Łuczak

production Art Stations Foundation by Grażyna Kulczyk financed with the funds of The Ministry of Culture and National Heritage

Artists