After the stripped down, radical corporality of Dawn (2013), Adrienn Hód’s production made in 2014 is physicality woven into a chain of emotion. The subconscious opens in a trance invoked by continuous movement. Splinters of sexuality, arias of impulsive gasps, a game of robust yet refined and sensitive humor, negating taboos. The torsos of four dancers rendered as a tangling of their inner histories. A negotiation between heaven and earth, and a triumph over prosaic urban reality.