The main theme of the session will be the question of being (the performer) in (and towards) space as a reason to move and exist. How can movement be the result of a path imagined in space and be a means to see the performer both as a performer and simply a human being? How does the slightest change become a huge decision? Focusing on micro-ideas and micro-gestures, we will work on a movement vocabulary that focuses on the gaze and on working consciously with the face, and ask what we can communicate with it if we look at performing movement more as an internal monologue than simply a body moving in space. At the same time, we will be inspired by the movement of shoals (birds/fish), exploring them not so much as a ready-made pattern for group composition, but more as a result of in-group communication and understanding.