“Audio-choreography” as a strategy for expanding the choreographic medium. In the proposed project I would like to focus on extending choreography in its sound layer, as a medium for listening and thus stimulating the body, imagination, mind and senses in a field other than the visual. The space of choreography will no longer be the space of the stage, but the whole audio-trajectory from the sound source, where it was produced and recorded, to the perception of the audience. “Audio-choreography” is a strategy I would like to develop as a proposal of expanding the field of choreographic activity during pandemics and an attempt to translate dance into another medium. The creation of “audio-choreography” is an attempt to develop a new artistic language and a different ontology of dance. During the project I will also explore the possibilities for the reception of choreography by people with vision impairment or low vision in order to broaden the tools for increasing access to this medium. The form of the podcast will be realized in such a way as to explore the non-visual possibilities of receiving choreography and to widen the possibilities of receiving it through the sense of hearing on a larger scale than during live choreographic performances.